From 7db62ebedf9d544e61c0a95dbe6ed68288279821 Mon Sep 17 00:00:00 2001
From: chimchooree Everything's coming together. I've been learning a lot and think I'm finally ready to start sharing my work. I've had a mostly solid horizontal slice of Blessfrey ready for a while, and this cycle of system revamps is finally able to support the sophistication of content I want. When I finish this iteration of skill systems and AI, I will be ready to make a real demo release of Blessfrey!
#webdev
up and up
What's the difference between winning a trophy or earning a quest reward for killing 10 rats? Probably nothing.
In this series, I'll discuss how to design an achievement system. Mine is for an RPG, but it should work for a variety of achievements and game genres. I won't discuss integrating with Steam or other platforms, but they have their own documentation.
Achievement is a rather nebulous term for gamers, but it's usually defined as an objective that creates a metagame. Devs offer them as a nudge to explore the full depth of games and seek out hidden secrets. For example, Portal's Transmission Received achievement turns the physics puzzle game into a game of hot or cold using radios you may not have even known were there. Most games' achievements look more like an extension of the quest journal than a metagame, though. Those Dragon's Dogma achievements in the image above are indistinguishable from notice board quests. They are practically unavoidable within a couple of hours of standard play.
Whether your achievements are meta or not, they can be earned through almost any in-game mechanic or system. (Unless they're so meta, they're completely external to the gameplay like The Stanley Parable's Go Outside achievement: don't play for five years.)
Unlocking an achievement usually awards a trophy or gamer points. In a way, increasing an in-game score is not unlike triggering a "quest complete" popup. An "event" occurs, and a "reward" is given. Some games offer something more tangible alongside their achievements, like a new game mode or item. The hat merchant in Stardew Valley will sell new hats for each achievement earned.
So not only does a robust achievement system need to be listening to the other game systems, it needs to be able to be able to interact with them. A system with that kind of power can do a lot more than notify you of achievements and add new hat merchandise - that's central nervous system material. It could progress the state of the game world depending on player actions.
Blessfrey feeds every in-game event through its achievement system, and its reward delivery is flexible enough not only to give a trophy but to cause anything to happen in response. Beyond achievement management, it is the system responsible for all forms of character and world progression. This is how Blessfrey can be a dynamic and responsive game. After all, if a system can dish out a trophy for killing 10 rats, it isn't too much of a stretch to say it could trigger a quest completion, unlock a codex entry, or teach the player a new skill. And if it can do that, why not something more dramatic? Killing the last 10 rats could be a turning point in the game world, putting the player on the post-rat timeline and changing all maps, NPCs, and quests to reflect the newly rat-free society.
I don't even think that last one is too silly. Games are all about making choices, so ideally, the world should always be responding. The only issue is scope, both in terms of developer workload and maintaining a coherent game vision. Thankfully, creating a system capable of anything is no problem, though. I'd prefer to be my only limitation, not my progression system.
So realistically, how do I plan to use this system?
Obviously, the completion of a quest will be technically identical to an earned achievement, as will codex entries and level up rewards. They just won't be visible to the player or cause any trophy popups.
More abstract things will count as achievements, too, like skill acquisition. Blessfrey revolves around skills, so it would be cool if skills were unlocked in a meaningful way through the achievement system. I plan to have them learned through gameplay via a variety of different methods, so skillhunting feels more like exploring than grinding. Maybe the Fire Resistance skill could be learned by standing in lava for 2 minutes, by eating crème brûlée flambé (without blowing it out), or by taking fire damage in combat. Your time spent aflame will be the event needed to unlock the Fire Resistance skill achievement. Then whenever you check your Skill Library, it knows which skills you've unlocked by checking your achievements.
World progression will also be tied to this system. Spending $1000 at the mall could trigger a new store to open. Selling too many dungeon items to a merchant could cause him to become suspicious of where you come across them, changing your dialogue options or starting a quest. Even the UI could be tied to this system. Maybe the UI displays increasingly more detailed information when you hover your mouse over a slime as you hit different thresholds of slime kills.
I'm not kidding when I say everything is an achievement, though. When a skill is used, each stage of skill progression is doled out by the achievement system. It will prepare the skill for action, exact any skill costs, listen for required conditions to be met, and apply skill effects on behalf of the skill. Basically, skill use and the completion of each phase is an event, and triggering the next phase of skill progression is the achievement. The skill itself barely does anything besides provide information to the achievement system.
The more systems mediated by the achievement system, the better, I say! Letting systems run amok and modify each other directly causes unexpected problems all the time, and bringing in a middleman is such a reliable solution.
So a working definition of an achievement is something awarded in response to a player action or game event. Those actions or events could be related to any game mechanic or game system, be it combat, exploration, trading, racing, etc, so the achievement system needs to be linked to all of them. How can you possibly design a system that is distinct from yet deeply intricated in every other system? In part 2, we'll do just that! Keep reading.
Designing an achievement system without any octopus tangles.
Octopus-tangling is a major design concern for a system that is so interconnected with every other system. I could scatter achievement code through every other system, but that would be a problem if I ever need to make a fundamental change to the achievement system. Also, tacking achievement code everywhere will make the other systems cluttered.
Instead, Blessfrey's achievement system is broken into three main, self-contained pieces: event handlers, the Knowledge Base, and the MessageBus.
Let's define the terms:
Essentially, there is a database that stores all the achievements in the game, alongside a boolean value for locked or unlocked and some contextual information such as when they were unlocked. There are event handlers that wait for events to happen to unlock achievements and event handlers that wait for unlocked achievements to pay out rewards. Every event is filtered through the MessageBus and sent out to the relevant entities. This way, the only achievement code scattered everywhere are single MessageBus.subscribe("topic") lines.
Let's say you get an achievement for finding the Nurse's Office. The moment the player loads into the Nurse's Office, data will zip back and forth between the MessageBus and the nurse's office object, different event handlers and the Knowledge Base.
To use the achievement system for cyclical world events, you could trigger knowledge to be "forgotten" or ultimately set back to false in the Knowledge Base. This way, the phases of an event could begin anew.
Achievements can come from any combination of in-game actions, so an achievement system should be designed separately from the rest of the game. I achieve this through a couple of separate objects.
Gator is part of Animal Parade, a collection that emphasizes the individualism of clothing. Every garment should be valued and individualized, even basic undershirts, sleep masks, etc.
All the designs are named after important animals in my life. The swimsuit is named Gator because of the gator who lives in my subdivision. I've seen him during walks. Absolutely unnerving.
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I haven't had a swimsuit for years and never like any anyway. I browsed online catalogs in English and 日本語 and window-shopped everywhere in town, searching for both style and technical inspiration. I've never worked with active wear garments, so I studied the inside of nearly everything at Dick's Sporting Goods to understand the style elements, seams, and findings typical of swimsuits and active wear in general. I learned a lot but liked virtually nothing.
The swimsuits that stood out to me were treading the line between one piece and two-piece. I can't find my old collage, but here's a quick one. Sorry for not remembering the source of the images. I iterated over the concept in sketches a little.
Ideas:
This is where the two-piece idea led. I like the sheer fabric in the central examples from the collage. I love texture, so all the ruching and gathers really stand out to me, too. I wonder how feasible it would be to make two "two-pieces" - one relatively basic bikini with a loop in the center front of the swim bottoms, and another sheer, pintucked overlay with a tricot panel peek-a-boo skirt that fastens onto the loop. The overlay is tiered in the back then parts around the sides until it fully exposes the midriff in the front.
I'm not sure tricot or mesh would be sturdy enough for pintucks, so I checked if chiffon swimwear is even a thing. It actually is! Plenty of chiffon sleeves and panels floating around out there.
I really like this design. The central fastener on the swim bottoms isn't like anything I've seen in stores. The suit's connected in enough places that it shouldn't become a shapeless bubble nor flap up and show too much skin underwater. I bet it'd be gorgeous to watch float and flow in the waves.
Unfortunately, pretty or not, I don't think it's practical. Chiffon is a dainty fabric, and swimming is not a dainty activity. I lean against brick and against concrete without babying my clothes. Chiffon isn't that comfortable to wear dry, and I cringe imagining soaking wet chlorine chiffon Saran-wrapped over my torso. Not to mention, I don't know how comfortable I am with a two-piece anyway? Body insecurities!
Back to the drawing board!
Instead of synthesizing the prettiest elements into one swimsuit, I should be synthesizing the most practical elements into one swimsuit. People who feel confident and comfortable in their clothes are the prettiest!
I drew and drew over the same croquis, but the big idea is a long-sleeved raglan with a mock turtleneck and tiered layers around the lower body. I facilitated between full-coverage bikini bottoms and shorts. I also had an idea for a swim obi belt. Obi belts were all over the runway a few years ago. I couldn't find anything quite like it on a swimsuit, but it seems like such a cool idea. Maybe not practical, but I'd go for it if it didn't require so much fabric.
Anyway, this is close to what I made. I moved the zipper to the center back to avoid breaking up my beautiful fabric. I didn't care to insert piping into active wear seams. (yes, those aren't thick seams - that is piping.) I didn't make the obi belt either, but I might. I have long strips of fabric left over, and it might be enough to do something cool.
I chose neoprene because it's luxuriously, flatteringly thick, durable, and still relatively trendy in fashion after years of being delegated to seat covers and boring functional garments. I've never sewn with it before and heard terrible things, but I'll try it.
This print in particular is so unique. In a sea of tropical island palm tree prints, this one has swamps! I grew up in swamps and live in a swamp, and I never see our biome fantasized into artwork like this. It's also bright and pastel without entering some generic rainbow or pastel goth palette. It even includes that incredible glowing sulfur color from PANTONE's 2021 Color of the Year. I adore this fabric.
I paired it with a seafoam invisible zipper, pastel rainbow thread, and gray thread.
This is my only picture of my pattern for now. I make them out of thick paper and hang them by piercing a full set with a safety pin then hanging them from yarn bows.
I've never made a raglan sleeve and don't even own any, so this was a real challenge. I started with a regular sloper, taped them together, cut them along the "raglan line," used that to sew a knit bodysuit, then fitted and seam-ripped and resewed until it was spot-on.
I've never designed a mock turtleneck either, even though I really ought to have by now. For some reason, I imagining it should be more tapered, but the neck is relatively tubular. The triangular muscles connecting the neck to the shoulders aren't as important, especially with my placement of the scoop "neckline." It also took several iterations before it was long enough to actually look like a turtleneck.
Sleeves are sleeves. Princess lines and tiers-and-panels are practically my specialty, so no problem there. Then I traced my comfiest pair of full-coverage underwear for the leg openings. As with most of my tiered designs, the tiers of the skirt only start an inch or so from under the previous tier. That bottom tier isn't much longer than the tier on the top. This reduces bulk and fabric consumption, which is 100x more important on a swimsuit made of pricy fabric. The length of the tiers took a lot of experimentation. They need to be balanced, fall at flattering points of my body, begin at comfortable points on my body, and work with the print.
I was very conscious of the print while cutting. I used the white sky as an anchor and draped a few different placements - across the collarbone, across the bustline, and my chosen placement, atop the chest. The print has dense dark areas and light fluffy areas, and this placement emphasized femininity. The grays and trees are at my breasts, emphasizing them while still looking painterly and abstract enough to not be garish. The blacks and voids are at my waist, neck, upper arms, and crotch. Then the dense, difficult-to-read green foliage obscures my lower body. Perfect! I matched the arms, which puts the placid blue water on my forearms, so the part I see the most is my favorite part of the print. Overall, perfect sizing and placement in my eyes.
As for sewing, these are all serged seams using pastel rainbow thread. The edges are serged with gray. The tiered were basted and gathered by hand. It was very, very easy. Whoever told me neoprene doesn't hold stitches must have had a very finicky machine.
The top is supported by underwire and thin cups. I cut up an old bra and attached it to the lining by hand. It was kind of nerve-wracking doing the fittings because any markings or fittings involving stretchy material around the breasts are difficult to achieve accuracy with, but the final fit is perfect.
I've taken it to the beach and the pool and feel so special. No one has a swimsuit like this. The colors are adorable and unique. The print is so intricate compared to the rest of the market. The design is relatively modest but still youthful. I get so many compliments.
It's very comfortable to wear, too, which was my number one design goal here. The skirt isn't too bulky, so I can get away with oversized jeans as my coverup. I feel confident under the thick fabric and tiered skirt, and the long sleeves and tall neck protect me from the full blast of the sun. My thighs do show, but whatever. They're usually underwater anyway. The swimsuit maintains its shape well underwater, too.
Then when I was done, I immediately sewed four mock turtleneck undershirts based off this pattern and love them, too!
Everything's coming together. I've been learning a lot and think I'm finally ready to start sharing my work.
I've had a mostly solid horizontal slice of Blessfrey ready for a while, and this cycle of system revamps is finally able to support the sophistication of content I want. When I finish this iteration of skill systems and AI, I will be ready to make a real demo release of Blessfrey!
No-Legs the Cat is a 2D maze game featuring Poltics Cat! Help him find his legs! He can't move by himself, so scoot him around with the arrow keys. Don't forget to feed him all three breakfasts or he'll starve!! Go play it here or on itch.io.
It's not much - just a demonstration to myself that I can export a game and embed HTML5 applications here. It runs pretty well locally, so we'll see how well it runs on the live server in my playtesters' browsers. I'm getting close to releasing the first minor demo for Blessfrey, so I'd really rather iron out all the kinks with a short and simple project first, you know? Dreading the day I have to handle serialization in the browser.
It's more fun to approach the game with your own personal challenge. I know a lot of people try a new style or technique during this month, like my friend trying single-layer digital paintings. My personal approach this year is thematic. I'm drawing cute couples! I don't usually draw boys, so it's a good compromise if his girlfriend will be in the frame, too. Also, more characters per attack = more points!
Have fun! More games coming soon.
My kitty!
These are the characters I drew.
It's just an inside joke. There was a guy who kept interrupting the political discussion channel by posting his pet, so I tried to imitate him with my own politics cat. Only I made a typo, and it stuck.
Aren't cats cute when they sit like that? It's called "loafing." Kitty's so fluffy that his legs become totally hidden when he does that, and he just stares helplessly at us when we start heckling him.
It looks like his legs are missing for real this time, though. He couldn't have gotten far without them, so they have to be somewhere in the maze.
I dunno, my cat is weird. He wants us to give him breakfast first thing in the morning, then again when we eat our own breakfast. It's still so early, it's like he eats two breakfasts. He doesn't care about food for the rest of the day. It's like the concept of lunch and dinner are completely foreign to him. He's a dishonest little guy, though, so he'll come to both my husband and me separately to beg for "second" breakfast. We're usually too smart for him, but I'd be lying if he hasn't bamboozled us into three whole breakfasts before.
These are my characters, drawn by other people.
Probably never.
It's one of the more fun art communities these days. A lot of communities have turned completely business-minded or are littered with off-topic content. Artfight, however, is necessarily interactive and collaborative, more like how art communities felt in the 10s. I try to play every year to motivate myself to draw more, especially things outside my comfort zone of cute girls.
This community has a lot of overlap with Toyhouse and Tumblr, though, so don't be surprised if you keep running into massive text walls of character permissions and "original character donut steal" warnings. There's also a wide range of ability. I see everything from grainy photos of lined paper to Tearzah copycat artists to university illustration students. It feels like old DeviantART in that respect.
You should know that the servers reliably crash during the first week of July every year, so if you do want to play, prepare during June. Upload a few characters and their reference pictures, find targets you'd like to draw, and save their usernames and reference pictures. Even if the servers crash, you've got everything you need for a few days.
No-Legs the Cat is a 2D maze game featuring Poltics Cat! Help him find his legs! He can't move by himself, so scoot him around with the arrow keys. Don't forget to feed him all three breakfasts or he'll starve!! Go play it here or on itch.io.
It's more fun to approach the game with your own personal challenge. I know a lot of people try a new style or technique during this month, like my friend trying single-layer digital paintings. My personal approach this year is thematic. I'm drawing cute couples! I don't usually draw boys, so it's a good compromise if his girlfriend will be in the frame, too. Also, more characters per attack = more points!
It's not much - just a demonstration to myself that I can export a game and embed HTML5 applications here. It runs pretty well locally, so we'll see how well it runs on the live server in my playtesters' browsers. I'm getting close to releasing the first minor demo for Blessfrey, so I'd really rather iron out all the kinks with a short and simple project first, you know? Dreading the day I have to handle serialization in the browser.
Have fun! More games coming soon.
These are the characters I drew.
My kitty!
It's just an inside joke. There was a guy who kept interrupting the political discussion channel by posting his pet, so I tried to imitate him with my own politics cat. Only I made a typo, and it stuck.
Aren't cats cute when they sit like that? It's called "loafing." Kitty's so fluffy that his legs become totally hidden when he does that, and he just stares helplessly at us when we start heckling him.
It looks like his legs are missing for real this time, though. He couldn't have gotten far without them, so they have to be somewhere in the maze.
These are my characters, drawn by other people.
I dunno, my cat is weird. He wants us to give him breakfast first thing in the morning, then again when we eat our own breakfast. It's still so early, it's like he eats two breakfasts. He doesn't care about food for the rest of the day. It's like the concept of lunch and dinner are completely foreign to him. He's a dishonest little guy, though, so he'll come to both my husband and me separately to beg for "second" breakfast. We're usually too smart for him, but I'd be lying if he hasn't bamboozled us into three whole breakfasts before.
Probably never.
It's one of the more fun art communities these days. A lot of communities have turned completely business-minded or are littered with off-topic content. Artfight, however, is necessarily interactive and collaborative, more like how art communities felt in the 10s. I try to play every year to motivate myself to draw more, especially things outside my comfort zone of cute girls.
This community has a lot of overlap with Toyhouse and Tumblr, though, so don't be surprised if you keep running into massive text walls of character permissions and "original character donut steal" warnings. There's also a wide range of ability. I see everything from grainy photos of lined paper to Tearzah copycat artists to university illustration students. It feels like old DeviantART in that respect.
You should know that the servers reliably crash during the first week of July every year, so if you do want to play, prepare during June. Upload a few characters and their reference pictures, find targets you'd like to draw, and save their usernames and reference pictures. Even if the servers crash, you've got everything you need for a few days.
What's the difference between winning a trophy or earning a quest reward for killing 10 rats? Probably nothing.
In this series, I'll discuss how to design an achievement system. Mine is for an RPG, but it should work for a variety of achievements and game genres. I won't discuss integrating with Steam or other platforms, but they have their own documentation.
Achievement is a rather nebulous term for gamers, but it's usually defined as an objective that creates a metagame. Devs offer them as a nudge to explore the full depth of games and seek out hidden secrets. For example, Portal's Transmission Received achievement turns the physics puzzle game into a game of hot or cold using radios you may not have even known were there. Most games' achievements look more like an extension of the quest journal than a metagame, though. Those Dragon's Dogma achievements in the image above are indistinguishable from notice board quests. They are practically unavoidable within a couple of hours of standard play.
Whether your achievements are meta or not, they can be earned through almost any in-game mechanic or system. (Unless they're so meta, they're completely external to the gameplay like The Stanley Parable's Go Outside achievement: don't play for five years.)
Unlocking an achievement usually awards a trophy or gamer points. In a way, increasing an in-game score is not unlike triggering a "quest complete" popup. An "event" occurs, and a "reward" is given. Some games offer something more tangible alongside their achievements, like a new game mode or item. The hat merchant in Stardew Valley will sell new hats for each achievement earned.
So not only does a robust achievement system need to be listening to the other game systems, it needs to be able to be able to interact with them. A system with that kind of power can do a lot more than notify you of achievements and add new hat merchandise - that's central nervous system material. It could progress the state of the game world depending on player actions.
Blessfrey feeds every in-game event through its achievement system, and its reward delivery is flexible enough not only to give a trophy but to cause anything to happen in response. Beyond achievement management, it is the system responsible for all forms of character and world progression. This is how Blessfrey can be a dynamic and responsive game. After all, if a system can dish out a trophy for killing 10 rats, it isn't too much of a stretch to say it could trigger a quest completion, unlock a codex entry, or teach the player a new skill. And if it can do that, why not something more dramatic? Killing the last 10 rats could be a turning point in the game world, putting the player on the post-rat timeline and changing all maps, NPCs, and quests to reflect the newly rat-free society.
I don't even think that last one is too silly. Games are all about making choices, so ideally, the world should always be responding. The only issue is scope, both in terms of developer workload and maintaining a coherent game vision. Thankfully, creating a system capable of anything is no problem, though. I'd prefer to be my only limitation, not my progression system.
So realistically, how do I plan to use this system?
Obviously, the completion of a quest will be technically identical to an earned achievement, as will codex entries and level up rewards. They just won't be visible to the player or cause any trophy popups.
More abstract things will count as achievements, too, like skill acquisition. Blessfrey revolves around skills, so it would be cool if skills were unlocked in a meaningful way through the achievement system. I plan to have them learned through gameplay via a variety of different methods, so skillhunting feels more like exploring than grinding. Maybe the Fire Resistance skill could be learned by standing in lava for 2 minutes, by eating crème brûlée flambé (without blowing it out), or by taking fire damage in combat. Your time spent aflame will be the event needed to unlock the Fire Resistance skill achievement. Then whenever you check your Skill Library, it knows which skills you've unlocked by checking your achievements.
World progression will also be tied to this system. Spending $1000 at the mall could trigger a new store to open. Selling too many dungeon items to a merchant could cause him to become suspicious of where you come across them, changing your dialogue options or starting a quest. Even the UI could be tied to this system. Maybe the UI displays increasingly more detailed information when you hover your mouse over a slime as you hit different thresholds of slime kills.
I'm not kidding when I say everything is an achievement, though. When a skill is used, each stage of skill progression is doled out by the achievement system. It will prepare the skill for action, exact any skill costs, listen for required conditions to be met, and apply skill effects on behalf of the skill. Basically, skill use and the completion of each phase is an event, and triggering the next phase of skill progression is the achievement. The skill itself barely does anything besides provide information to the achievement system.
The more systems mediated by the achievement system, the better, I say! Letting systems run amok and modify each other directly causes unexpected problems all the time, and bringing in a middleman is such a reliable solution.
So a working definition of an achievement is something awarded in response to a player action or game event. Those actions or events could be related to any game mechanic or game system, be it combat, exploration, trading, racing, etc, so the achievement system needs to be linked to all of them. How can you possibly design a system that is distinct from yet deeply intricated in every other system? In part 2, we'll do just that! Keep reading.
Designing an achievement system without any octopus tangles.
Octopus-tangling is a major design concern for a system that is so interconnected with every other system. I could scatter achievement code through every other system, but that would be a problem if I ever need to make a fundamental change to the achievement system. Also, tacking achievement code everywhere will make the other systems cluttered.
Instead, Blessfrey's achievement system is broken into three main, self-contained pieces: event handlers, the Knowledge Base, and the MessageBus.
Let's define the terms:
Essentially, there is a database that stores all the achievements in the game, alongside a boolean value for locked or unlocked and some contextual information such as when they were unlocked. There are event handlers that wait for events to happen to unlock achievements and event handlers that wait for unlocked achievements to pay out rewards. Every event is filtered through the MessageBus and sent out to the relevant entities. This way, the only achievement code scattered everywhere are single MessageBus.subscribe("topic") lines.
Let's say you get an achievement for finding the Nurse's Office. The moment the player loads into the Nurse's Office, data will zip back and forth between the MessageBus and the nurse's office object, different event handlers and the Knowledge Base.
To use the achievement system for cyclical world events, you could trigger knowledge to be "forgotten" or ultimately set back to false in the Knowledge Base. This way, the phases of an event could begin anew.
Achievements can come from any combination of in-game actions, so an achievement system should be designed separately from the rest of the game. I achieve this through a couple of separate objects.
Gator is part of Animal Parade, a collection that emphasizes the individualism of clothing. Every garment should be valued and individualized, even basic undershirts, sleep masks, etc.
All the designs are named after important animals in my life. The swimsuit is named Gator because of the gator who lives in my subdivision. I've seen him during walks. Absolutely unnerving.
+
+
I haven't had a swimsuit for years and never like any anyway. I browsed online catalogs in English and 日本語 and window-shopped everywhere in town, searching for both style and technical inspiration. I've never worked with active wear garments, so I studied the inside of nearly everything at Dick's Sporting Goods to understand the style elements, seams, and findings typical of swimsuits and active wear in general. I learned a lot but liked virtually nothing.
The swimsuits that stood out to me were treading the line between one piece and two-piece. I can't find my old collage, but here's a quick one. Sorry for not remembering the source of the images. I iterated over the concept in sketches a little.
Ideas:
This is where the two-piece idea led. I like the sheer fabric in the central examples from the collage. I love texture, so all the ruching and gathers really stand out to me, too. I wonder how feasible it would be to make two "two-pieces" - one relatively basic bikini with a loop in the center front of the swim bottoms, and another sheer, pintucked overlay with a tricot panel peek-a-boo skirt that fastens onto the loop. The overlay is tiered in the back then parts around the sides until it fully exposes the midriff in the front.
I'm not sure tricot or mesh would be sturdy enough for pintucks, so I checked if chiffon swimwear is even a thing. It actually is! Plenty of chiffon sleeves and panels floating around out there.
I really like this design. The central fastener on the swim bottoms isn't like anything I've seen in stores. The suit's connected in enough places that it shouldn't become a shapeless bubble nor flap up and show too much skin underwater. I bet it'd be gorgeous to watch float and flow in the waves.
Unfortunately, pretty or not, I don't think it's practical. Chiffon is a dainty fabric, and swimming is not a dainty activity. I lean against brick and against concrete without babying my clothes. Chiffon isn't that comfortable to wear dry, and I cringe imagining soaking wet chlorine chiffon Saran-wrapped over my torso. Not to mention, I don't know how comfortable I am with a two-piece anyway? Body insecurities!
Back to the drawing board!
Instead of synthesizing the prettiest elements into one swimsuit, I should be synthesizing the most practical elements into one swimsuit. People who feel confident and comfortable in their clothes are the prettiest!
I drew and drew over the same croquis, but the big idea is a long-sleeved raglan with a mock turtleneck and tiered layers around the lower body. I facilitated between full-coverage bikini bottoms and shorts. I also had an idea for a swim obi belt. Obi belts were all over the runway a few years ago. I couldn't find anything quite like it on a swimsuit, but it seems like such a cool idea. Maybe not practical, but I'd go for it if it didn't require so much fabric.
Anyway, this is close to what I made. I moved the zipper to the center back to avoid breaking up my beautiful fabric. I didn't care to insert piping into active wear seams. (yes, those aren't thick seams - that is piping.) I didn't make the obi belt either, but I might. I have long strips of fabric left over, and it might be enough to do something cool.
I chose neoprene because it's luxuriously, flatteringly thick, durable, and still relatively trendy in fashion after years of being delegated to seat covers and boring functional garments. I've never sewn with it before and heard terrible things, but I'll try it.
This print in particular is so unique. In a sea of tropical island palm tree prints, this one has swamps! I grew up in swamps and live in a swamp, and I never see our biome fantasized into artwork like this. It's also bright and pastel without entering some generic rainbow or pastel goth palette. It even includes that incredible glowing sulfur color from PANTONE's 2021 Color of the Year. I adore this fabric.
I paired it with a seafoam invisible zipper, pastel rainbow thread, and gray thread.
This is my only picture of my pattern for now. I make them out of thick paper and hang them by piercing a full set with a safety pin then hanging them from yarn bows.
I've never made a raglan sleeve and don't even own any, so this was a real challenge. I started with a regular sloper, taped them together, cut them along the "raglan line," used that to sew a knit bodysuit, then fitted and seam-ripped and resewed until it was spot-on.
I've never designed a mock turtleneck either, even though I really ought to have by now. For some reason, I imagining it should be more tapered, but the neck is relatively tubular. The triangular muscles connecting the neck to the shoulders aren't as important, especially with my placement of the scoop "neckline." It also took several iterations before it was long enough to actually look like a turtleneck.
Sleeves are sleeves. Princess lines and tiers-and-panels are practically my specialty, so no problem there. Then I traced my comfiest pair of full-coverage underwear for the leg openings. As with most of my tiered designs, the tiers of the skirt only start an inch or so from under the previous tier. That bottom tier isn't much longer than the tier on the top. This reduces bulk and fabric consumption, which is 100x more important on a swimsuit made of pricy fabric. The length of the tiers took a lot of experimentation. They need to be balanced, fall at flattering points of my body, begin at comfortable points on my body, and work with the print.
I was very conscious of the print while cutting. I used the white sky as an anchor and draped a few different placements - across the collarbone, across the bustline, and my chosen placement, atop the chest. The print has dense dark areas and light fluffy areas, and this placement emphasized femininity. The grays and trees are at my breasts, emphasizing them while still looking painterly and abstract enough to not be garish. The blacks and voids are at my waist, neck, upper arms, and crotch. Then the dense, difficult-to-read green foliage obscures my lower body. Perfect! I matched the arms, which puts the placid blue water on my forearms, so the part I see the most is my favorite part of the print. Overall, perfect sizing and placement in my eyes.
As for sewing, these are all serged seams using pastel rainbow thread. The edges are serged with gray. The tiered were basted and gathered by hand. It was very, very easy. Whoever told me neoprene doesn't hold stitches must have had a very finicky machine.
The top is supported by underwire and thin cups. I cut up an old bra and attached it to the lining by hand. It was kind of nerve-wracking doing the fittings because any markings or fittings involving stretchy material around the breasts are difficult to achieve accuracy with, but the final fit is perfect.
I've taken it to the beach and the pool and feel so special. No one has a swimsuit like this. The colors are adorable and unique. The print is so intricate compared to the rest of the market. The design is relatively modest but still youthful. I get so many compliments.
It's very comfortable to wear, too, which was my number one design goal here. The skirt isn't too bulky, so I can get away with oversized jeans as my coverup. I feel confident under the thick fabric and tiered skirt, and the long sleeves and tall neck protect me from the full blast of the sun. My thighs do show, but whatever. They're usually underwater anyway. The swimsuit maintains its shape well underwater, too.
Then when I was done, I immediately sewed four mock turtleneck undershirts based off this pattern and love them, too!
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